[Podcast] Ep. 84: [Interview] w/ GREG MCINTOSH of PARADISE LOST (UK).
VIDEO INTERVIEW LINK:
(via the official ISC Youtube Channel)
Podcast/Audio-Only Version:
via the Podcast category on our Youtube Channel + podcast app platforms*
Castamatic, Castro, Fountain, Overcast, Podcast Addict, Podcast Guru, Podverse and TrueFans, as well as Amazon Music, Apple Podcasts, Castbox, GoodPods, iHeartRadio, PocketCasts and RadioPublic.
EPISODE 82 - SHOW NOTES:
Be sure to follow along with our blog/social media for lots more [Heavy News] from across the heavy/alternative music spectrum!
I: PARADISE LOST - Australian 2026 Tour Announcement/Info
II: ANTHRAX - Release 2nd Single and Video 'The Edge Of Perfection' - From The Group’s Much-Anticipated Album CURSUM PERFICIO Out September 18, 2026
III: MELECHESH - Sands of Shamash EP (Out Now via Reigning Phoenix Music) + Label-Signing News (RPM)
IV: ANNIHILUS MUNDI - Absolute Terror LP (Out 6th Nov via Independent Release)
V: CORROSION OF CONFORMITY - Presents 'Baad Man' Video, Good God/Baad Man Double-LP Out Now via Nuclear Blast Records
I: PARADISE LOST - Australian 2026 Tour Announcement/Info
Gothic Doom Metal originators Paradise Lost to play first Australian shows in nearly a decade.
Paradise Lost remain the undisputed monarchs of metal’s dark frontier. Formed in Halifax in 1988, they quickly carved out their legacy as pioneers of gothic metal; a brooding fusion of crushing heaviness and shadow‑drenched melody.
Never content to remain static, the band has spent decades fearlessly exploring every corner of the dark‑music spectrum. From their sludgy doom‑death origins to the towering, cinematic sound that propelled them into the metal mainstream, Paradise Lost’s influence can be heard across generations of artists: from Cradle of Filth and HIM to Gatecreeper and Chelsea Wolfe.
Their 2026 shows promise a ferocious, career‑spanning descent into the band’s most iconic moments. Expect early classics from Shades of God and Icon, era‑defining anthems from Draconian Times and One Second, and the blistering resurgence of In Requiem and Faith Divides Us – Death Unites Us, all the way through to their most recent triumph, Ascension.
It is a masterclass that showcases the full spectrum of Paradise Lost’s legacy, a deep archive of the place they’ve carved into heavy music, performed with an authority and atmosphere that no other band on earth can summon.
Paradise Lost are a band so utterly assured in their craft, and so instinctively locked in with one another, that every performance becomes an overwhelming, immersive experience. When they take the stage, the atmosphere shifts; darker, heavier, charged with that unmistakable gothic-metal grandeur they perfected decades ago. Do whatever it takes to witness this machine in full flight when they steamroll Australia this October.
PARADISE LOST TOUR DATES:
Sunday 18 October 2026 – The Triffid, Brisbane
Monday 19 October 2026 – Factory Theatre, Sydney
Tuesday 20 October 2026 – Max Watt’s, Melbourne
Tickets from:
https://davidroywilliams.com/tours/paradiselost2026/
Tickets for Paradise Lost go on sale 5th February.
Secure your place at the altar.
LIMITED MEET & GREET VIP PACKAGES AVAILABLE
– One GA ticket included
– Access to a Meet and Greet session with Paradise Lost
– Photo opportunity with Paradise Lost using your own phone or camera
– Limited edition A3 Poster signed by Paradise Lost
– Official commemorative VIP Laminate
– Priority Access to the Venue
*VIP Terms & Conditions Apply
II: ANTHRAX - Release 2nd Single and Video 'The Edge Of Perfection' - From The Group’s Much-Anticipated Album CURSUM PERFICIO Out September 18, 2026
ANTHRAX Release 2nd Single and Video 'The Edge Of Perfection'
From The Group’s Much-Anticipated Album CURSUM PERFICIO Out September 18, 2026
ANTHRAX have released 'The Edge Of Perfection', the second single from their long-awaited 12th full-length studio album Cursum Perficio out September 18 via via Nuclear Blast Records and Megaforce Records (North America). The new single is highlighted by clean guitar echoes and cymbals that gently shake until a blastbeat blows open the doors. Guitars buzz like a motorboat on the River Styx, making waves through the darkness. In their wake, a crushing rhythm trails the melody of lead singer Joey Belladonna’s lament, “My heart breaks…I’m on the edge…I’m on the edge of perfection.”
For the video, the multi-GRAMMY® Award-nominated New York hard rock titans - Scott Ian (guitar), Charlie Benante (drums), Frank Bello (bass), Joey Belladonna (vocals), and Jonathan Donais (guitar) - teamed up with director and Academy Award-winner Joel Harlow (Star Trek and Alice in Wonderland) to create a spectacular cinematic experience that takes the hero from a dream into an evening of magic where he encounters underworld evil, interspersed with live performance footage. The clip includes appearances from martial artist Wes Scarpias, actress Ashley Edner-Tancharoen, actor Troy James, actor and Academy-Award winning make-up and special effects creator Rick Baker, actor Rod Maxwell and actor Fedor Steer.
“It’s the apex predator of Anthrax songs,” grins Ian. “I think it’s the best song we’ve ever written and the best thing I’ve ever been a part of creatively. What’s the most powerful emotion that moves me more than anything? Of course, it’s love. Nothing moves me like the deep feeling that I get from my wife and son. I’m living on that edge for the rest of my life. This is mine, but there are a lot of ways to ruin it. I’ve ruined it in past iterations of my life, but it got me to where I am. Love is perfection, and I like being on the edge of it. I don’t want everything to be about all of the same shit. This record has a whole bunch of love, a whole bunch of fun, and a little hate.”
Benante adds, “When I think about songs like ‘Only’ and ‘Indians,’ you know that you hit something and you can feel it. That’s the way I felt about ‘The Edge Of Perfection.’”
'The Edge Of Perfection' follows Cursum Perficio’s first single and video, 'It’s For The Kids'. It’s a classic ANTHRAX ripper locked and loaded with buzzsaw-sharp riffs, explosive drumming, and a howling and head-banging hook. It undoubtedly has all the makings of a future live staple. Listen HERE and watch the official music video HERE.
Listen to 'The Edge Of Perfection' HERE and watch the official music video HERE.
Pre-order Cursum Perficio here:
https://anthrax.bfan.link/cplp
Stream 'The Edge Of Perfection' here:
https://anthrax.bfan.link/teopsg
Watch the video for 'The Edge Of Perfection' here:
https://www.youtube.com/watch?v=uqbhWhN4F74
L-R: Frank Bello, Joey Belladonna, Jonathan Donais, Charlie Benante, Scott Ian
Photo credit: Travis Shinn
(download)
Cursum Perficio marks the band’s first record in ten years since 2016’s For All Kings, which debuted in the Top 10 of the Billboard 200. The phrase Cursum Perficio is Latin for “My journey has come to an end,” “My journey is over,” or “I complete my journey.” It proves apropos for such a complete body of work.
The band dove into recording Cursum Perficio in earnest during 2022, working out of Dave Grohl’s Studio 606 in Los Angeles. They carefully pieced together what would be this magnum opus, mining their history with reverence, delivering on fan expectations tenfold, and broadening the scope of their signature sound. Produced by Jay Ruston and ANTHRAX, the result is an album that’s as angry, aggressive, and alive as their most celebrated fare.
CURSUM PERFICIO album cover
(download)
The CURSUM PERFICIO track listing is as follows:
01. Persistence of Memory
02. The Long Goodbye
03. It’s For the Kids
04. Everybody’s Got A Plan
05. The Edge Of Perfection
06. Infectious
07. NYC93
08. Cursum Perficio
09. T.O.M.B
10. Watch It Go
11. My Victory
FOLLOW ANTHRAX:
WEBSITE | TIKTOK | FACEBOOK | INSTAGRAM
YOUTUBE | APPLE MUSIC | SPOTIFY
III: MELECHESH - Sands of Shamash EP (Out Now via Reigning Phoenix Music)
Mesopotamian Metal Act MELECHESH Release New EP Sentinels of Shamash!
Stream/Purchase “Sentinels Of Shamash” HERE
“the music also succeeds in manifesting an ancient and exotic mysteriousness, even in its most blood-rushing and ecstatic phases”
– No Clean Singing
“The band continues with their piercing approach to the genre, while picking up some more modern and fresh influences, but not straying too far away from their massive guitar-driven sound.”
– Infernal Masquerade
A very heavy and aggressive sound starts off the EP […] updating the band’s musical style for the modern era.”
– Occult Black Metal Zine
Shrouded in mythic devastation and divine revelation, MELECHESH has unveiled the new digital EP Sentinels Of Shamash via Reigning Phoenix Music.
The international Mesopotamian metal pioneers reveal tales of a forgotten age with commanding riffs, distinctive ritualistic rhythm arrangements produced by combining six-string and 12-string electric guitars, and incantatory vocals across apocalyptic soundscapes.
See Here For Lyric Video For “The Seventh Verdict”:
Sentinels Of Shamash, stands as a ceremonial descent into ancient law, fire, and cosmic vigilance. Drawing from Mesopotamian myth and the solar judgment of Shamash, god of truth and justice, MELECHESH crafts an offering steeped in divine wrath and esoteric order. Each composition unfolds like a sacred inscription, invoking forgotten gods, fallen kings, and the eternal tension between chaos and balance.
Through commanding riffs, relentless rhythms, and a sonic architecture that bridges ancient cosmology with modern extremity, Sentinels Of Shamash delivers a mythological statement rooted in fire, judgment, ruin, and restoration. The sentinels stand eternal guard over fate itself.
Sentinels Of Shamash was produced by Ashmedi and co-produced by Rob Caggiano and Kristian “Kohle” Kohlmannslehner. Bass lines and backing vocals on were recorded by Rob Caggiano, who also contributed rearrangements to “In Shadows, In Light”. Drums were performed by Nikitas Mandolas, with engineering and mixing and mastering by Kristian “Kohle” Kohlmannslehner, and engineering and tracking by Daniel Claar. “The Seventh Verdict” features guest vocals by Jessica Pimentel.
Sentinels Of Shamash Tracklist:
1. The Seventh Verdict
2. In Shadows, In Light
3. Raptors of Anzu
About MELECHESH:
MELECHESH was formed in 1993 in Jerusalem with the intent to forge what the band defines as Mesopotamian Metal. Rooted in black metal and thrash, their sound draws deeply from Sumerian and Mesopotamian mythology, as well as cosmic and occult themes, while incorporating Mediterranean and Middle Eastern musical elements into an extreme metal framework. Over the decades, MELECHESH has evolved into an international musical and cultural phenomenon, known for its distinct identity, scholarly mythological focus, and uncompromising artistic vision (that is referenced by an upcoming generation of bands). This trajectory inadvertently mirrors the life journey of its nomadic, globe-trotting founder and composer, Ashmedi. The band remains a singular force within extreme metal, standing apart through both concept and sound.
Connect With MELECHESH:
Facebook: https://www.facebook.com/melecheshofficial
YouTube: https://www.youtube.com/@MelecheshOfficial
Bandcamp: https://melechesh.bandcamp.com
IV: ANNIHILUS MUNDI - Absolute Terror LP (Out 6th Nov via Independent Release)
Genre-fusing progressive project ANNIHILUS MUNDI is preparing to unleash the forthcoming sophomore full-length The Dead Sea Scrolls on November 6, 2026. The 77-minute long concept album explores the personal lived experiences of composer and lyricist Daniel Saillant. In a fusion of genres and artforms, ANNIHILUS MUNDI reconceptualizes the album's central ideas through Hideaki Anno’s notorious 1995 anime series Neon Genesis Evangelion and its subsequent 1997 film The End of Evangelion.
The sound of cicadas introduces "Second Impact (Overture)". Mirroring a soundscape familiar to fans of anime and Evangelion in particular, the core instrumental motifs found across the album subsequently emerge. It is a display of complex and textural layers including metal instruments, full orchestra, harpsichord, piano and electronics - elements that are central to ANNIHILUS MUNDI's characteristic sound. Narratively, the song covers the 'Second Impact', a cataclysm caused by the interactions of scientists from an expedition into Antarctica with a primordial being called Adam, the First Angel, along with the death of Gendo’s wife and Shinji’s mother, Yui Ikari.
"Absolute Terror" captures ANNIHILUS MUNDI's core sonic identity while pushing deeper into the band’s progressive roots. Featuring fierce vocals by Noah Magnelli and guitar solo performance by Chris Jones of (ÆTHER REALM), the track's chaotic death metal riffing and an expansive melodic atmosphere is dynamic yet accessible. It draws inspiration from the metaphysical Absolute Terror Field (AT Field) concept from Neon Genesis Evangelion.
"A Hedgehog’s Dilemma" takes its name from the metaphor coined by German philosopher Arthur Schopenhauer and shares the title with an episode of Neon Genesis Evangelion. "A Hedgehog’s Dilemma" is centered around the protagonist from Neon Genesis Evangelion, Shinji, and the impacts of his social masking that is used as a defensive mechanism. Across the track, ferocious death metal rhythms contrast against the uplifting melodies in the orchestral arrangements and vocal lines.
"The Dead Sea Scrolls, Mvt. I - 'Reminiscence'" and the following "Mvt. II" combine to form an epic 13-minute opus with this first offering exploring Saillant's personal experiences with social anxiety. This track draws on the characters of the anime and the harm caused by repressed trauma, such as to Gendo’s unwillingness to process the death of his wife. Notably, the music includes a melody and verse that manifest in multiple tracks over The Dead Sea Scrolls.
Featuring a guitar solo by Andrew Matarazzo (PERENNIAL QUEST), "The Dead Sea Scrolls, Mvt. II - 'Incursion'" opens with a serene, somber mood led by clean tones and melodies before erupting into intense heavy instrumentation. Drawing inspiration from the Katsuragi expedition, the song describes a society who has constructed their goals based on face-value interpretations of the words of ancient civilizations, leading to their mutual destruction.
With "Black Moon", the goal of this song is to explore the religious imagery found throughout Evangelion which generally has very few themes explicitly related to faith. Musically, it deviates from progressive realms to deliver a shorter piece situated firmly in death metal. The track's chorus features Olive Gallop (ICE GIANT) and is designed to be chanted by a crowd, and contains a fun two-step friendly hook. "Black Moon" also features a guitar solo by Chris Ramusiewicz (GRAVEBORN).
A discordant combination of dial-up modem tones, folk melodies and mournful vocal performances by Saillant and Magnelli form an uncanny soundscape in "King of Thorns". Journeying through the track melancholic guitar leads segue into progressive, jazz-led realms in a chaotic yet dreamy fusion of styles before concluding with heavy chugs. "King of Thorns" reflects Saillant's anxieties for the future amidst the global uncertainty experienced in April 2020.
"Terminal Dogma, Mvt. I - 'Do you love me?'", the first of an 18-minute offering divided into four songs, emerges with woodwind accompaniment to bright guitar melodies. A dark mood prevails across the intricate textural arrangements, with the song's pre-chorus building with a sense of urgency. "Mvt. I" culminates into an explosive display of thunderous rhythms and intense vocals. This song follows the sequence of events in The End of Evangelion that eventually lead to the death of Asuka Langley Soryu, Shinji’s friend and romantic interest.
Blasting into "Terminal Dogma, Mvt. II - 'Take care of yourself'", the second part builds on the momentum of "Mvt. I" bringing a heightened power and fierce aggression channeled through Noah Magnelli's monstrous gutturals and unrelenting abrasive instrumental layers. The track features Sarah Hartman of AVERSED and is positioned from the perspective of Asuka’s as she takes on the Mass Production Series Evas. An insight into Asuka’s psyche is revealed showing the repression of her trauma and refusal to process it.
Ethereal orchestral strings seep through the shadows of "Mvt. II", leading into "Terminal Dogma, Mvt. III - 'Love is destructive'". This song is an arrangement of the 1899 orchestral composition titled "Enigma Variations IX. Nimrod", by English composer Edward Elgar. This song is a tribute to several sequences from Evangelion, including Asuka’s torture at the hands of the Angel Arael in Episode 22 of Neon Genesis Evangelion, the clip show style of Episodes 25 and 26 of the original show, and Shinji’s Third Impact sequence in End of Evangelion. It is designed to simulate the feeling of self-depreciation and anxieties of what other people really think of you.
In the final instalment, "Terminal Dogma, Mvt. IV - 'I need you'" descends into a ferocious onslaught of dissonance, Magnelli's gritty harsh vocals and dominating rhythms. In the track's breakdown, obliterating gutturals unleash a decimating impact before returning to a soaring and anthemic final chorus. It concludes Asuka’s storyline as she finally succumbs to the Mass Productions Evas and dies. In a deviation from the source material, Asuka is forced to truly confront her trauma relating to her mother’s suicide and her decision to die peacefully. "Mvt. IV" ends with a reprise of the main riff from "Mvt.I - 'Do you love me?'" but in a different key, symbolizing the full circle nature of mental illness like Asuka’s and Shinji’s.
In "Silent Planet", wave of white noise groans into life as vocals become audible through the wall of sound. Contrapuntal layers of contrasting melodies and textures rise and fall, as if reaching out from the void. Lyrically, "Silent Planet" is a reprise of The Dead Sea Scrolls, Mvt.I - “Reminiscence.” In this version of the refrain, there is basically no melody. Continuing the album's narrative, Shinji explores the idea that people can grow beyond the mistakes they’ve made in life but is saddened that this concept has been denied to him in life.
The Dead Sea Scrolls conclude with "Human Instrumentality". The untamable force of the instrumentation brings forth a fury of aggression. ANNIHILUS MUNDI's distinctive vocal harmonies and uplifting progressions disrupt the heaviness momentarily, before an epic collation of these styles is reached. Comprised of three parts, this composition explores how religious propaganda has been used by ruling classes throughout history to incite fear and control the general populace. Part one, "Mother Machine", is primarily a criticism of organized religion’s weaponization of religious texts by those in positions of power to harm marginalized groups. The second part titled "Superior Species" is situated in the aftermath of centuries of religious indoctrination from the perspective of a member of the billionaire class who now has to deal with the consequences. Finally, "Human Instrumentality", imagines a world where there is no longer a fear-based or class-based divide between people.
The Dead Sea Scrolls was produced, mixed and mastered, and engineered by Daniel Saillant at Wailing Pines Productions.
About ANNIHILUS MUNDI:
Formed in 2018, ANNIHILUS MUNDI is the creation of Daniel Saillant, blending elements of death metal, shoegaze, and progressive rock. His 2019 debut album Grief and subsequent releases have positioned him as a distinctive voice in the underground metal scene. Inspired by bands such as CYNIC, DEAFHEAVEN, and DREAM THEATER, Saillant continues to push musical boundaries, combining harsh and clean vocals, complex guitar arrangements, and introspective lyrics.
ANNIHILUS MUNDI is:
Daniel Saillant (Vocals, Guitar, Bass, Keyboards, Programming)
Live Line-up:
Noah Magnelli - Vocals
Chris Ramusiewicz - Guitar
Davy Allen - Guitar
Daniel Saillant - Bass, Vocals
Rick Lowell - Drums
Special Guests on The Dead Sea Scrolls:
Noah Magnelli - harsh & clean vocals
Chris Jones (Æther Realm) - Guest Solo on "Absolute Terror"
Andrew Matarazzo (Perennial Quest) - Guest Solo on "The Dead Sea Scrolls"
Chris Ramusciwicz (Graveborn) - Guest Solo on "Black Moon"
Sam Mooradian (Sam Mooradian, Fallujah) - Guest Solo on "King of Thorns"
Alex Haddad (Dessiderium, Atheist) - Guest Solo on "Terminal Dogma, Mvt. II"
Michael Laurendeau Jr. - Guest Solo on "Human Instrumentality"
Olive Gallop (Ice Giant) - Guest Voice on "Black Moon"
Sarah Hartman (Aversed) - Guest Voice on "Terminal Dogma, Mvts. II & IV"
Anthony Harter (d r 0 n 3) - Guest Noise and Atmospheres on "Silent Planet"
The Dead Sea Scrolls Track List:
1. Second Impact (Overture)
2. Absolute Terror
3. A Hedgehog’s Dilemma
4. The Dead Sea Scrolls, Mvt. I - “Reminiscence”
5. The Dead Sea Scrolls, Mvt. II - “Incursion”
6. Black Moon
7. King of Thorns
8. Terminal Dogma, Mvt. I - “Do you love me?”
9. Terminal Dogma, Mvt. II - “Take care of yourself.”
10. Terminal Dogma, Mvt. III - “Love is destructive.”
11. Terminal Dogma, Mvt. IV - “I need you.”
12. Silent Planet
13. Human Instrumentality
LINKS:
V: CORROSION OF CONFORMITY - Presents 'Baad Man' Video, Good God/Baad Man Double-LP Out Now via Nuclear Blast Records
CORROSION OF CONFORMITY Presents 'Baad Man' Video
Watch CORROSION OF CONFORMITY’s 'Baad Man' video:
American heavy metal legends CORROSION OF CONFORMITY are pleased to present their new video for 'Baad Man'. The track opens disc two of the band’s critically-adored, epic new double album, Good God / Baad Man, released in April via Nuclear Blast. The video was directed by Jeffrey Sisson and Jason Cantu, and filmed in the middle of the night on the road in Kansas City, Missouri.
Comments guitarist/vocalist Pepper Keenan, “Well, well, well… here comes the man with the fists on fire. I think they ‘bout to turn him loose! Lemme hear ya saaaayyy….!”
Watch CORROSION OF CONFORMITY’s previously released videos for 'Asleep On The Killing Floor' HERE, 'You Or Me'HERE, and 'Gimme Some Moore'HERE.
Produced by Grammy award winner Warren Riker (Fugees, Down, Cathedral) and featuring cover art by famed New Orleans artist Scott Guion, Good God / Baad Man was recorded at Blak Shak Studios in Riffissippi, USA, Dockside Studios in Maurice, Louisiana, and Bee Gee Barry Gibb’s home studio in Miami, Florida.
Good God / Baad Man is available on digipak CD, vinyl, and digital formats.
Preview/purchase the record here: https://coccabal.bfan.link/ggbmlp
Good God / Baad Man Track Listing:
Album 1
01. Good God? / Final Dawn
02. You Or Me
03. Gimme Some Moore
04. The Handler
05. Bedouin’s Hand
06. Run For Your Life
Album 2
07. Baad Man
08. Lose Yourself
09. Mandra Sonos
10. Asleep On The Killing Floor
11. Handcuff County
12. Swallowing The Anchor
13. Brickman
14. Forever Amplified
More on CORROSION OF CONFORMITY:
Back in 2018, when No Cross No Crown dropped like a rock ‘n’ roll atom bomb, the tried-and-true CORROSION OF CONFORMITY line-up of Pepper Keenan (vocals, guitar), Woody Weatherman (guitar), Reed Mullin (drums), and Mike Dean (bass) was still going strong. Four brothers united in a decades-long history kicked off by a roving pack of teenage punks in Raleigh, North Carolina circa 1982.
CORROSION OF CONFORMITY’s first four albums left a permanent mark on headbangers, longhairs, and street punks everywhere: Underground classics Eye For An Eye (1984) and Animosity (1985) followed by slightly more overground bangers Blind (1991) and Deliverance (1994). By the time CORROSION OF CONFORMITY carved off No Cross No Crown nearly a quarter century later, they were legends in their own time, revered by two generations of punk, metal, and rock fans.
Then tragedy struck: In January 2020, Reed Mullin left this earthly plane. It was a devastating blow, both personally and professionally. How do you replace a brother? You can’t. All you can do is soldier on in his memory. Which is what the rest of CORROSION OF CONFORMITY did – until COVID-19 shut down the globe. Then Mike Dean decided to go his own way. It was an amicable split, but it left Pepper and Woody to contemplate their next move. They hunkered down at Keenan’s place in Mississippi, listening to all the music they love. Discharge. ZZ Top. Motörhead. Neil Young. Black Sabbath.
They started writing. They didn’t stop. In fact, they composed a massive double album. The concept happens to be the title of the record. It’s called Good God / Baad Man. “Our producer, Warren Riker, kept calling it Dark Side Of The Doom,” recalls Pepper. “In my head, it’s a weird love letter to all things rock ‘n’ roll. We used that for the freedom to go in different directions. Each album is its own tiny universe and has its own identity. Good God leans toward the heavier/pissed end of the spectrum. Baad Man is more on the throwdown rock scope. As we went along, it became clear which songs went on which album.”
They brought in drummer Stanton Moore, who played on CORROSION OF CONFORMITY’s 2005 album, In The Arms Of God. They brought in bassist Bobby “Rock” Landgraf, who did time with Pepper in New Orleans heavyweights Down when he wasn’t terrorizing the locals in his own band, Honky. “With a lot of these songs, we’re trying to make Reed Mullin proud,” Pepper says. “He was a badass, and a one-of-a-kind drummer. And the stakes were high.”
CORROSION OF CONFORMITY Recording Line-up:
Pepper Keenan – guitar, vocals
Woody Weatherman – guitar
Stanton Moore – drums
Bobby Landgraf – bass
CORROSION OF CONFORMITY Live Line-up:
Pepper Keenan – guitar, vocals
Woody Weatherman – guitar
Bobby Landgraf – bass
Nick Shabatura – drums
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